Music Interfaces

How we experience music

Archives Posts

The Guardian: We Brits buy more CDs than any other country

June 23rd, 2007 by musicinterfaces

That subject line should also mention that’s average number of CDs per head of population. Is this something to feel proud about? Given recent news that digital downloads aren’t necessarily more ecologically sound than CD buying (I still find that hard to believe), perhaps I should be. I’ll also admit to an enduring love of physical formats. It’s an interesting article: apparently the average price of a CD fell below £9 for the first time last year; also UK music revenues fell 5% between 2001 and 2005, which doesn’t seem that bad, given the diversity of other media increasingly available and may as much reflect a tightening of margins rather than a death rattle for the industry as a whole. Anyway here’s the full list:

CD sales per person in 2006

Britain 2.7
US 2.1
Norway 2.1
Ireland 1.9
Australia 1.9
Denmark 1.8
Belgium 1.7
Sweden 1.7
Switzerland 1.7
Japan 1.5
New Zealand 1.5
Canada 1.5

It would be interesting to know the average number of MP3s purchased for those countries as well, I’d guess Japan and the US would top that list.

Link: Guardian article

Archives Posts

We7: free music downloads + ads

May 26th, 2007 by musicinterfaces

we7

We7 is a new venture, currently in beta, that offers free, legally downloadable music. The catch is that each track is prefaced with a brief (10 second) audio advertisement. There are currently only a few tracks available, but they’re from relatively well-known artists e.g. Herbie Hancock, Hall and Oates and Coolio. This may well be evidence of the sort of backing for this project (Peter Gabriel is the big name). The music is DRM-free. The We7 website states that relevant ads will be attached to the track on download so that they can be targeted according to user demographics.

When I registered with the website, the technology worked smoothly and I was able to download and play a Herbie Hancock track without a problem. The advertisement consisted of a female voice stating “I’ll pay for a download when I die, until then… We7″.  I’d rather not have had to listen to it, but it was brief and pretty painless. The business model is certainly innovative - it will be interesting to see whether it succeeds when it launches properly this summer.

Link: We7
Via: Soundtracking

Archives Posts

Digiwax offers free MP3 version of vinyl on purchase

May 11th, 2007 by musicinterfaces

digiwax.jpg

A new service launching 14 May will supply purchasers of vinyl with 320Kbps non-DRM MP3s of their music at no extra cost. Digiwax is a new enterprise from UK-based First Word Records, suppliers to the DJ market. Every purchase of double-weight vinyl comes with access to a password-protected area to download the same music from the Digiwax’s website. It’s not clear whether this is limited to artists signed to the company or not. However, it sets a welcome example to other vendors and neatly sidesteps the irritating process of having to digitise vinyl. I’d very happily purchase more records if this service were offered more widely.

Links: Wired Gadget Lab blog, Digiwax
Via: Mediaor

Archives Posts

Rough Trade to open music superstore

April 1st, 2007 by musicinterfaces

Rough Trade logo

Noting that today is April Fool’s Day, I’m nervous that everything I read will be some form of prank. This story, however, was printed in the UK’s The Independent newspaper a few days ago, so I’m trusting that it’s true. Despite that, there’s a somewhat comic edge to the article’s headline, whatever time of year it is: ‘Rough Trade opens massive record shop to fight internet‘. It conjures images of Don Quixote tilting at windmills or King Canute ordering the waves to stop.

Rough Trade was established in 1976 as a shop and two years later as a record label (for further details read their own succinct history). The new store will occupy 5,000 square feet of floorspace London’s East End, which will make it Britain’s biggest music shop. Brick Lane is currently one of London’s most fashionable areas, second only to neighbouring Hoxton/Shoreditch. Given current developments, it’s a brave move, but I’ll be cheering them on.

(Rough Trade also offer an interesting recommendation service in the form of The Album Club and an online MP3 store, Rough Trade Digital, both of which I intend to cover in the not too distant future.)

Link: Independent news story
Link: Rough Trade
Via: Dissensus

Archives Posts

Slacker: wireless iTunes + radio

March 17th, 2007 by musicinterfaces

Slacker player

Gadget watchers sat up the other day when Slacker announced the debut of its personalised streamed music service, delivered via in-car/home satellite, wireless, web and a bespoke portable player. According to Engadget’s report, Broadband Instruments is a San Diego-based company that has employed former execs from the likes of iRiver, MusicMatch and Diamond Rio, so there’s a fairly impressive pedigree there already.

Users can indicate their preferences via the web or by flagging played tracks. Users will be able to use the Slacker portable player, pictured above, to listen to personalised radio stations, provide feedback to improve the accuracy of the music, and purchase and download tracks (at the now-standard $0.99 rate). It’s claimed that the player, which will debut this summer, will offer capacities between 2GB and 120GB (!) and supply metadata gleaned from AllMusicGuide, the web’s most comprehensive music information service. Fascinatingly, Wired reports that the company has employed professional radio programmers to programme genre-specific channels:

(…) even after users customize the channels, they will follow longstanding programming principles. For instance, rather than merely providing “shuffle within the hip hop genre,” stations will kick off every hour with a “power track,” emphasize new, hot tracks, and mix well-known tracks with lesser-known tracks to allow users to discover new artists without becoming alienated.

Slacker’s website player offers a plethora of radio stations, but tellingly while it offers the following (often pretty funny) alternatives for Rock: Rock, Classic Rock, Hard Rock, Soft Rock, Southern Rock, Party Rock, 90s Rock, 80s Rock, 70s Rock, 60s Rock, Oldies and Teen Rock, under its Electronic/Dance section it only offers Progressive Trance, Chill and Disco. Choosing Electronic/Dance indicates that it will play the “best music from Jamiroquai, Orbital, The Crystal Method, Underworld, The Chemical Brothers, Basement Jaxx, Sophie Ellis-Bextor and more” - in other words the usual, unimaginative suspects and a few dodgy people who shouldn’t be there. This isn’t that much of a surprise given the mainstream US slant, perhaps the situation will improve if Slacker proves popular.

Another test is what similar artists Slacker recommends when an artist’s name is supplied. A Kraftwerk query results in an emphasis on 70s electronic German rock (Neu! Can, Tangerine Dream) alongside Brian Eno, Depeche Mode and New Order. Looking to Last.fm, which supplies similar artists based upon user listening habits, shows people who like Kraftwerk listen to Aphex Twin, New Order, Depeche Mode, Boards of Canada and Brian Eno. A fair correlation, though without the German electronic rock (which only comes 19th and 24th).

Slacker website

The web version of Slacker is live now. Reports are that the service is good. Unfortunately, I’ve been unable to get it to work on Firefox, Camino or Safari on my MacBook Pro. However, the online FAQ doesn’t indicate any Apple incompatibilities, so I’ll keep trying until I can report back on its performance. A free version of the service with ads will be available or there’s a paid-for version for $7.50 with enhanced personalisation and no ads. The free version bears the dread limit on number of songs that can be skipped that I first encountered with FineTune’s service.

From the coverage it looks like this is the equivalent of Pandora or Last.fm’s recommendation radio stations, but freed from its ties to the computer. Whether its ease of use will make for a serious threat to the iPod’s hegemony will prove interesting. Slacker, the revenge of radio?

Via: NYT, Gizmodo, Engadget, Wired

Archives Posts

Choice cuts from NYT article on DRM and the record industry

February 23rd, 2007 by musicinterfaces

The following excerpts indicate the remarkable lengths to which the record industry has gone to respond to the unpopularity of DRM, as described in a recent NYT article (my italics):

“… the expansion of the online marketplace, coupled with ever-worsening CD sales, is now all but forcing the music companies to tread on ground they once viewed as off limits.”

“Starting this week, Suretone Records, a label distributed by the Universal Music Group, plans to distribute video files featuring popular acts […] on file-sharing networks that the industry has long viewed as illicit bazaars for pirates… the video files will not be wrapped in protective software to limit copying, executives say. But they will also be incomplete: users who download them will see perhaps half the video and will be directed to the label’s own Web site to watch the complete version.”

“RCA Records […] plans to advance its promotional campaign for Avril Lavigne’s new album with the first in a series of short manga — Japanese comic-book episodes … The video clips, which run two to three minutes each, are expected to be released in unprotected form as free podcasts on iTunes, among other outlets. Fans will also be able to use special software, probably offered on a label’s Web site, to take snippets of the episodes and rearrange them, executives said.”

“[Suretone Records’] files are being distributed online in an arrangement with ArtistDirect’s MediaDefender unit, which is better known as a contractor hired by labels to place fake, or decoy, versions of songs or other media files on file-sharing networks to thwart would-be pirates. Before the Suretone video deal, the company had also begun planting fake files containing promotional messages for advertisers like Coca-Cola.”

Link: Music Labels Offer Teasers to Download (NYT)

See also: Engadget overview of reactions to Steve Jobs’ DRM declaration

Filed under DRM, Formats, Buying music having No Comments »

Archives Posts

Vinyl singles making a comeback in Britain

January 8th, 2007 by musicinterfaces

7 inch single

LONDON (Billboard) - Physical singles may be losing the war against digital formats, but the U.K. market has found an unlikely hero to lead the fight: good, old-fashioned, 7-inch vinyl.

Via Yahoo News (and maybe City of Sound)

Filed under Formats, Buying music having No Comments »

Archives Posts

Amie Street - new music sales model

January 6th, 2007 by musicinterfaces

Amie Street

Amie Street, which launched in July, has a brilliant DRM-free music sales model. Bands upload music, which can then be downloaded for free by users. As songs become popular, the site starts to charge for it. They start at $0.01 and go up to $0.99. Users looking for popular new stuff go right to the more expensive songs. More adventurous types try out lots of new music. I’m somewhere in the middle. This free-market place to set the value of DRM-free digital music could be the future. Our coverage is here.”

Via Techcrunch

Filed under Buying music having No Comments »

Archives Posts

Tower Records ceases trading

January 5th, 2007 by musicinterfaces

Tower Records

Poignant reflection in the Guardian on the closure of Tower Records bricks and mortar music stores:

The demise of Tower Records is a watershed moment for the sale of recorded music. From now on, no American city will have a large record store. And where New York leads, the rest of the world will surely follow. In Britain we still have similar outlets - mainly HMVs and Virgin Megastores - but the clock is ticking for them. I doubt there will still be a large record store in this country in a decade’s time.

Unfortunately the author appears fairly ignorant of online sources for research (last.fm, allmusic, mog, etc), many of which offer the potential for social interaction:

And we learned in breadth too - as a teenager browsing in Valances in Leeds on Saturday mornings in the 60s, I learned more about jazz than I ever learned on the radio. I owe a lot of the scope and detail of my musical interests to record stores, and I wonder how the next generation is going to find that kind of opportunity.

Despite this, I can’t help but sympathise as I mourn the closure of places like Ray’s Jazz in Covent Garden and their friendly and informative staff.

Filed under Buying music having 1 Comment »