Music Interfaces

How we experience music

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March 30th, 2007 by musicinterfaces
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Mainstream-O-Meter: how mainstream are you?

March 28th, 2007 by musicinterfaces

Mainstream-o-meter

Or to put it another way, how underground are you? Fun for Last.fm subscribers. I eagerly entered my own Last.fm ID and learnt that I’m 10.01% mainstream. Should I be overjoyed, disappointed or indifferent? I was apparently “compared to an average of 530447.1 listeners in the Last.fm top 10″ - I have no idea what that means by the way. I’d certainly encourage you to click on the links to the most undergrounders users - some of the artist names are brilliant (Chocolate Billy, The Chicken Masters or Cosmic Wurst anybody?)

Link: Mainstream-O-Meter
Via: Digg

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March 28th, 2007 by musicinterfaces
  • In 1920, the First Music Download Service Was Created (quixoticals) - A lovely spoof: “The Acoustograph was ahead of its time: music was sent over wire (telegraph to be exact). Multiple songs could be stored, up to three. Every month, new compositions could be downloaded.”
  • Jumping Steve Jobs! - “Jumping Steve is an iTunes visualizer with an animated Steve Jobs that will dance to your music!” Very daft visualizer for iTunes…
  • Technology Review: Computer Speakers for Your Ears Only - “An algorithm that, in theory, will be able to direct sound from a set of speakers–ideally embedded in a computer monitor–into a person’s ears, effectively creating virtual headphones”
  • Turn Your Bathtub Into a Big, Dirty Speaker - Gizmodo - “MTI has created the Stereo H2O audio system, a bathtub that plays music right into the water with you. Yep, the bath itself is a speaker.” Shame, I’m more a shower person myself.
  • Eventful - Search Local Events Worldwide - “Eventful is the leading events website which enables its community of users to discover, promote, create and share events throughout the world.”
  • The Album, a Commodity in Disfavor - New York Times - “Only true fans are buying full albums. Most people don?t really do that anymore… Companies have been considering a system in which fans would pay a fee, perhaps monthly, to ’subscribe’ to their favorite artists and receive a series of recordings, special merchandise, etc.”
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Viral marketing gets entangled with RIAA

March 27th, 2007 by musicinterfaces

RIAA logo NIN sweatband

In an amusingly farcical turn of events, the viral marketing campaign initiated by Nine Inch Nails‘ record company has resulted in a fan being sent cease and desist letters and a demand for legal fees by solicitors and RIAA threats to an entertainment zine. The hugely popular American industrial group headed up by Trent Reznor is due to release a new album soon. To boost interest, they’ve produced an alternative reality game involving “obscure web sites, answering machines and clues on NIN tour t-shirts all being part of a giant, mysterious puzzle.” Part of the action involves legally distributed Nine Inch Nails taster MP3s, but when one German fan posted up a streamed version of a song, he received a letter from solicitors demanding he pay costs and remove the track immediately. Soon after, online zine Idolator were ordered to remove a similar MP3 by the RIAA.

Just the sort of situation to be satirised by the one and only Chris Morris.

Link: full story at P2P blog
Link: details of the game

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Apple TV

March 26th, 2007 by musicinterfaces

Apple tv

The media have had a busy week with Apple’s new streaming media device - they’ve been tinkering, taking it to bits, hacking it and general trying to make sense of whether it’s a great product or not. The concensus seems to be a guarded ‘yes’, though with most reviewers lamenting Apple’s ‘walled-garden’ approach and wishing for more flexibility. Although the primary function of the Apple TV is to play back television and film content managed by - and possibly purchased from - iTunes on your (widescreen) television, this also means that users’ music collections can also be accessed via your television. I’m not an expert in this area, but I assume a significant number of people will welcome the opportunity to play their music through their surround-sound equipped TV. Those considering purchase Apple TV in part to enable this should note the following from PC World’s review:

(…) Apple TV starts copying your content from your iTunes library onto its hard drive in a specific order: first movies, then TV shows, then music, etc. If there was a way to move something to the front of the line, it wasn’t obvious to me.

Walt Mossberg notes in the Wall Street Journal that music and video content can be streamed from any of five computers additional to the primary sync’ed computer with which Apple TV can communicate with, so this isn’t such a concern. However, the following point is more worrying:

Music playback was very reminiscent of the iPod’s interface, with lots of ways to view your collection. Album art for the music I was playing displayed beautifully—so beautifully it made me wish I could navigate my collection by the cover art, like the cover flow view in iTunes. But, alas, that option isn’t available. One other complaint: Once you left the music area, your album stopped playing. I would have liked to be able to continue listening to my choice while I was picking through pictures or watching a slideshow.

Update: Example of Apple TV confusion regarding streamed music

Links: Apple TV product page, PC World review, Walt Mossberg review

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The Filter: music refreshment and recommendation

March 25th, 2007 by musicinterfaces

The Filter and iTunes

Not so long ago half your record collection would sit in the attic, gathering dust. In 2006 it’s more likely to be languishing in the dark recesses of your iPod or laptop, unplayed, unloved. We always think we’ll get round to making great playlists and rediscover hidden gems, but let’s face it, who’s got the time?

So declares The Filter’s homepage. Until last week this free software was only available for PC, but a new Apple-compatible version has just been released. The Filter’s profile is probably significantly higher than its market share due to the frequency with which it’s associated with Peter Gabriel’s name (certainly did the trick for me). It turns out that he’s an investor in the project rather than having much to do with the product’s creative approach.

The Filter acts in partnership with iTunes on Windows XP and OS X (a Windows Media Player version is in development) to:

  • Create playlists from a user’s existing music library using user-specified seed tracks.
  • Making recommendations, again based upon tracks suggested by the user.

The playlist function is very like the primary purpose of Music IP Mixer, a product I looked at a couple of months ago. Like that program, The Filter is standalone rather than web-based (like Last.fm, Mog, Pandora) or an iTunes plug-in (as per iLike). The main window is an attractive shelf design on which are displayed the upcoming cover graphics for the songs in its active playlist:

The Filter main window

An additional window, which can be closed, also opens up with good quality information about the playing track supplied by the AllMusicGuide. By default both windows stay on top of all other open programme windows, which can be rather awkward. The window can be minimised and reopened using a keyboard shortcut, though this still doesn’t make it quite as user-friendly as iLike’s iTunes drawer. It would be good to see the window accessible via its OS X statusbar icon, but such an option isn’t currently available.

To create a playlist, the user chooses three different tracks in iTunes and clicks the ‘F’ button in the player window. My first three seed tracks (Brian Eno’s Energy Fools The Magician, The Durutti Column’s The Beggar and Manu Dibango’s Massa Lemba), chosen on impulse, resulted in a playlist of 15 tracks with five suggested artists and the rest made up of additional tracks by the chosen artists. The suggestions (Peter Tosh, Fela Kuti, John Martyn, Laurie Anderson and U Roy) were reasonably on target. Given the aforementioned proximity of The Filter’s functionality to Music IP Mixer’s, it seemed a good idea to try it out with the same seed. Choosing Erik Satie’s Fantaisie-Valse, Harmonia’s Kekse and a part of Steve Reich’s Three Tales multimedia opera resulted in a different, but still serviceable playlist that included Sufjan Stevens, Vladislav Delay and Bach amongst others. Skipping songs quickly or letting them play through enables The Filter to build a better idea of listening habits. The programme can also build playlists to sync with iPods - these are based on either a chosen genre or, as before, by selecting seed tracks.

The recommendations option produces a window of recommended songs available at the iTunes Music Store:

The filter recs window

Some of these recommendations are good, some are not - how Nirvana’s Smells Like Teen Spirit relates to Brian Eno’s Another Green World is anybody’s guess… A more mainstream track (Madonna’s Confessions of a Dance Floor) results in a fairly diverse mainstream set of recommendations (Sean Paul, Britney, Cyndi Lauper and Beyonce) which it’s hard to argue with. Clicking any track opens up the iTunes Music Store to listen to the standard 30 second clip and purchase if so desired.

Recommendation: My copy of The Filter tended to hang fairly frequently and was slow at delivering iTMS recommendations, but the program is still in beta so perhaps that can be excused. It’s an interesting product, particularly for its integration with the iTunes Music Store which makes for potentially intuitive discoveries - the inevitable downside is that you’re locked into Apple’s DRM. Its ability to offer up forgotten gems from an overstocked iTunes library is also attractive. In my experience, its recommendations have been fairly mixed, but The Filter is definitely worth trying.

Link: The Filter
Link: Screencast guide to The Filter

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March 24th, 2007 by musicinterfaces
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“Sales of Music, Long in Decline, Plunge Sharply”

March 22nd, 2007 by musicinterfaces

However awful the message for some readers, isn’t that a beautifully-worded headline from The Wall Street Journal. The venerable newspaper notes that there’s been a 20% fall in CD sales for the first quarter of this year when compared to that of 2006. The rise in digital download sales apparently doesn’t mitigate this decline significantly. Combined physical and digital music sales are down 10%. The article notes a number of contributing factors, not least of which:

  • losure of high street vendors (600 closed in US last year)
  • Poor quality of contemporary music
  • Online piracy
  • Downward price pressure exerted by retail chains like WalMart and Best Buy, and
  • The poor old MP3 blog.

Here’s my alternative list of reasons for the decline in music sales:

  • Ongoing atomisation of music scenes resulting in increasing irrelevance of popular music charts.
  • The cumulative weight of popular musical history - five decades and counting - resulting in a more or less conscious sense of cultural exhaustion; witness the popularity of strikingly derivative neo-New Wave groups in recent years.
  • The RIAA’s aggressive pursuit of copyright infringers has been terrible PR for the music industry as a whole - they’re now very much the bad guys. This attitude has become a widespread feeling of contempt for the industry as a whole and lazy justification for piracy. (However, there’s always been widespread piracy, ever since the cassette tape became a cheap and easy method of duplication.)
  • The tremendous popularity of the iPod has encouraged a consolidation and rediscovery of existing music collections much more than discovery of new music.
  • Huge increase in alternative forms of entertainment e.g. DVDs, video games (X-Box, Playstation, Nintendo, etc) and the internet.
  • Piracy - okay that’s shared with most other commentators. However it’s my experience that when people take copies of new music they like, they’re also more likely to go to concerts or buy future albums.

TechCrunch has posted about this article and it’s accrued a lengthy debate in the comments. My favourite contribution is this one from someone called Ramon (who unfortunately hasn’t provided a personal URL):This is what is going to happen:

1) Internet becomes ubiquitous in wireless form, especially on mobile devices.
2) Streaming, on-demand music popularity goes up.
3) Providers of streaming, on-demand music begins signing exclusive contracts with artists (”Shakira, only on Yahoo Music; Dashboard Confessional, only on iTunes”)
4) Artists get a cut of the profit (from the subscription costs) based on how many individual listeners are playing their music.
5) Providers of streaming, on-demand music will provide the service that record labels provide now, at a cheaper cost to the consumer, with greater profits to the artist (who is not getting raped on the miniscule % they get off cd sales), and with easier accessibility.
* puts away crystal ball *

Link: Wall Street Journal
Link: TechCrunch

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March 22nd, 2007 by musicinterfaces
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March 20th, 2007 by musicinterfaces
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